The Homeric parallel in Ulysses is described as a structural scaffold rather than a message. What follows from treating a classical myth this way in modernist fiction?

C. The myth supplies an organising architecture rather than a moral claim

Treating myth as scaffolding means using it strictly to order massive interior material. Modernists did not invoke Homer to moralise, mock modernity's triviality, or create an allegorical code; the scaffold allows the ordinary day to stand on its own terms.