Painting I / Supports, Stretchers, Sizing and Grounds
Practice question · Fill in the blanks

Complete the account of the layers under the paint.

The traditional sealing layer between fabric and ground is rabbit-skin ______, commonly made at about seven per cent by weight in water. A frame whose corners can be driven apart to re-tension the cloth is a ______, while a fixed one is a strainer. The thin toned layer laid over the ground before painting is the ______. Cotton duck is more ______ than linen and therefore slackens and tightens with the weather.

Word bank: glue · stretcher · imprimatura · hygroscopic · size · strainer

Hints
  1. The second blank is the frame with keys in its corners.
  2. The last blank means taking up moisture from the air.
Show the answer

The traditional sealing layer between fabric and ground is rabbit-skin glue, commonly made at about seven per cent by weight in water. A frame whose corners can be driven apart to re-tension the cloth is a stretcher, while a fixed one is a strainer. The thin toned layer laid over the ground before painting is the imprimatura. Cotton duck is more hygroscopic than linen and therefore slackens and tightens with the weather.

Why

The second blank is a distinction worth keeping. Every canvas slackens eventually, and a strainer offers no way to answer that except restretching the whole picture, which is why a strainer is a decision about the next fifty years disguised as a saving of a few euros.

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