Complete the account of contrast control.
The oldest instruction in black-and-white work is: expose for the shadows and develop for the ______. A development shortened to squeeze a subject range by one zone is written as ______. High dilution with minimal agitation gives a ______ effect, in which the developer exhausts locally in the highlights. A negative with detail everywhere that prints flat and grey has been ______-developed.
Word bank: highlights · N−1 · compensating · under · shadows · over
Hints
- The second blank is a notation, not a word.
- The last blank describes a negative that recorded everything and separated nothing.
Show the answer
The oldest instruction in black-and-white work is: expose for the shadows and develop for the highlights. A development shortened to squeeze a subject range by one zone is written as N−1. High dilution with minimal agitation gives a compensating effect, in which the developer exhausts locally in the highlights. A negative with detail everywhere that prints flat and grey has been under-developed.
The last blank is the diagnosis students most often reverse. A flat negative with full detail is under-developed and prints perfectly well on a harder paper; a contrasty negative with empty shadows is under-exposed and cannot be printed at all. Detail present means exposure was adequate, whatever the contrast looks like.
Practise Contrast Control
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More questions on Contrast Control
- A photographer raises the developing time by half and finds the highlights much denser while the shadows have…
- A scene has a subject brightness range of nine stops. A normal print holds about seven. How many zones of…
- Sort each scene by the development it calls for.
- Shadow values reach full development early on the toe, whilst highlights keep building density on the…
- Arrange the contrast-control decisions in the order they must be taken.
- Which are true of compensating development?