Practice question · Put in order
Arrange the stages of installing an exhibition in the order they are carried out.
- Write a condition report for every work before it leaves the studio
- Decide the sequence and where the viewer enters
- Set the lighting to the level the most vulnerable work in the room allows
- Set the common centre line and mark the wall
- Hang, using fittings rated for the weight with a margin
Hints
- The condition report happens before anything moves.
- The lighting is set for the most vulnerable work in the room, so it comes after everything is up.
Show the answer
- Write a condition report for every work before it leaves the studio
- Decide the sequence and where the viewer enters
- Set the common centre line and mark the wall
- Hang, using fittings rated for the weight with a margin
- Set the lighting to the level the most vulnerable work in the room allows
Why
The last step is decided by whichever work in the room has the lowest limit, which is why a single watercolour hung among oils drags the whole room down to 50 lux. Knowing that in advance turns it into a curatorial choice — separate rooms, or accept the level — rather than a discovery on the last afternoon.
Practise Display and the Exhibition as Part of the Work
The app has 5 more questions on this lesson, and keeps your place in the course. Painting I is free to start.
More questions on Display and the Exhibition as Part of the Work
- Arrange these approaches to display in the order they appeared.
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- Why is the centre-line convention a decision rather than a law? Select every statement that is true of…
- Sort each material by the light limit that is usually applied to it.
- Complete the account of display.
- A painting 90 centimetres tall is hung with its centre 150 centimetres above the floor. How high above the…
- The light limits applied to an oil painting and to a watercolour on paper are the same, because both are…
- Match each element of a wall label to what it fixes for the viewer.