Complete the account of site.

A work made for a particular place, and destroyed by removal from it, is site-specific. Kwon separates the phenomenological, the social or institutional and the discursive senses of site. Smithson's term for gallery material standing in a determinate relation to a place is the non-site. Serra argued that to remove Tilted Arc was to destroy it.

The non-site in the third blank solves a real problem. A work in a remote landscape cannot be brought into a gallery, and Smithson's answer was not documentation as a substitute but material and maps standing in a stated relation to the place, which is a proposition rather than a record.