Complete the account of display.
O'Doherty's critique of the modern gallery is called Inside the White ______. Works are conventionally hung to a centre line near 150 to 155 ______. Where installation is decided anew in each venue, reinstallation becomes ______. For temporary work, the surviving form is usually its ______.
Word bank: Cube · centimetres · reinterpretation · documentation · Room · metres
Hints
- The first blank names the essay and the room it describes.
- The last blank is what most people will actually encounter.
Show the answer
O'Doherty's critique of the modern gallery is called Inside the White Cube. Works are conventionally hung to a centre line near 150 to 155 centimetres. Where installation is decided anew in each venue, reinstallation becomes reinterpretation. For temporary work, the surviving form is usually its documentation.
The second blank is worth holding lightly. The convention exists so that a room reads consistently, not because the height is correct, and a work made to be looked down into or up at is damaged by being normalised to it.
Practise Installation and Display
The app has 5 more questions on this lesson, and keeps your place in the course. Sculpture I is free to start.
More questions on Installation and Display
- Why does O'Doherty argue that the white cube is not the neutral container it presents itself as?
- Which follow from documentation being the form in which most people meet a temporary work?
- Display conventions operate as an ideological framing rather than mere logistics. What follows from this…
- Sort each installation practice by how much it fixes in advance.
- At approximately what height, in centimetres, is the conventional hanging centre line?
- Arrange these installation decisions in the order they should be taken.
- Arrange these stages of bringing a work to an audience in order.