Complete the account of multidisciplinary work.
Light gives a work volume without ______. Sound is a curatorial problem because it does not respect the boundaries a ______ provides. Conservation of code-based work becomes a matter of emulation and ______. Making a form a function of variables is ______ modelling.
Word bank: mass · wall · migration · parametric · weight · digital
Hints
- The first blank connects light to the second lesson of this unit.
- The last blank names generating a family of forms from variables.
Show the answer
Light gives a work volume without mass. Sound is a curatorial problem because it does not respect the boundaries a wall provides. Conservation of code-based work becomes a matter of emulation and migration. Making a form a function of variables is parametric modelling.
The first blank links back to the vocabulary of mass and void. Light occupies and describes space without any material at all, which is the most complete version of the constructivist proposal that sculpture need not be made of mass.
Practise Multidisciplinary Processes
The app has 4 more questions on this lesson, and keeps your place in the course. Sculpture I is free to start.
More questions on Multidisciplinary Processes
- Why is sound a curatorial problem before it is an aesthetic one in a group exhibition?
- Conservation of a code-based work is closer to emulation and migration than to cleaning and repair.
- Sort each cost by the medium that brings it.
- Which does digital fabrication actually change about sculptural practice?
- How many of the additions listed in this lesson bring an obsolescence problem measured in years rather than…
- Match each medium to what it adds to a sculptural work.
- Arrange these stages of caring for a code-based work in order.
- Adding a medium such as light or movement brings a one-off installation cost but no ongoing obligation.
- Digital fabrication alters the iteration and scaling of three-dimensional form, but leaves material behaviour…