Practice question · Sort into groups
Sort each cost by the medium that brings it.
Groups: Sound · Movement · Code
- Decade-scale obsolescence
- Room acoustic alteration
- Failure in public hours
- Bleed into other works
- Sensor or board reliance
- Continuous running wear
Hints
- Each medium fails in its own characteristic way.
- Anything about platforms and components is the code column.
Show the answer
Sound: Bleed into other works, Room acoustic alteration
Movement: Continuous running wear, Failure in public hours
Code: Decade-scale obsolescence, Sensor or board reliance
Why
Each column is a maintenance obligation the work carries permanently. That is the argument for adding a medium only when the work requires it: the capability arrives once and the obligation stays for as long as the piece exists.
Practise Multidisciplinary Processes
The app has 4 more questions on this lesson, and keeps your place in the course. Sculpture I is free to start.
More questions on Multidisciplinary Processes
- Why is sound a curatorial problem before it is an aesthetic one in a group exhibition?
- Conservation of a code-based work is closer to emulation and migration than to cleaning and repair.
- Which does digital fabrication actually change about sculptural practice?
- How many of the additions listed in this lesson bring an obsolescence problem measured in years rather than…
- Complete the account of multidisciplinary work.
- Match each medium to what it adds to a sculptural work.
- Arrange these stages of caring for a code-based work in order.
- Adding a medium such as light or movement brings a one-off installation cost but no ongoing obligation.
- Digital fabrication alters the iteration and scaling of three-dimensional form, but leaves material behaviour…