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Modelling, Moulds and the Workshop

Moulds I: Typology

Sculpture I 359 words Free to read

The Problem a Mould Solves

A mould records a form as a negative to produce positives. The craft turns on one central question: how does the mould come off the original without destroying either?

Undercuts

An undercut is any part of a shape that widens after narrowing. It locks a rigid mould in place so it cannot pull away in a straight line.

Three strategies solve this problem:

  1. Destroy the mould to release the cast.
  2. Divide the mould into parts that draw away cleanly.
  3. Use a flexible material that stretches over the undercut.

The Typology

TypeMade ofReusableHandles undercutsTypical use
Waste mouldRigid plasterNo, chipped awayBy destructionSingle cast from clay
Piece mouldRigid partsYesBy divisionMultiples in plaster, resin
Flexible mouldSilicone, alginateYes (silicone)By stretchingComplex forms, life casts
Mother mouldRigid shellYesSupports flexible layerFloppy flexible liners

How Mould Types Work

A waste mould produces a single cast from a clay model. Plaster is poured over the clay, the clay is dug out, and the positive is cast inside. The plaster is then chipped away to free the cast.

A piece mould offers reusability. The form is split into sections that pull away without locking. The pieces align using interlocking keys, though every seam leaves a mark on the cast.

A flexible mould stretches over undercuts easily. Because it lacks structural rigidity, it requires a rigid jacket called a mother mould to hold its shape during pouring.

Flexible Materials

Silicone comes in two main types: condensation-cure and addition-cure. Addition-cure offers finer detail and lower shrinkage. However, its cure is inhibited by sulphur-bearing clay, latex, or certain resins.

Common pitfall: choosing the mould type based on budget rather than form. Always evaluate the undercuts first.
Moulds I: Typology

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Modelling, Moulds and the Workshop